{"id":3809,"date":"2026-10-18T19:55:03","date_gmt":"2026-10-18T17:55:03","guid":{"rendered":"https:\/\/pulsations.art\/?p=3809"},"modified":"2026-10-18T20:14:24","modified_gmt":"2026-10-18T18:14:24","slug":"blomstedt-bruckner-symphony-9-br-klassik-review","status":"publish","type":"post","link":"https:\/\/pulsations.art\/en\/blomstedt-bruckner-symphony-9-br-klassik-review\/","title":{"rendered":"Herbert Blomstedt \/ Anton Bruckner \/ Symphony No. 9 \/ Bavarian Radio Symphony Orchestra"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"3809\" class=\"elementor elementor-3809\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1d00199 e-flex e-con-boxed e-con e-parent\" data-id=\"1d00199\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-27e8f28 e-con-full e-flex e-con e-child\" data-id=\"27e8f28\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2b6fbb3 elementor-widget elementor-widget-image\" data-id=\"2b6fbb3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"768\" height=\"768\" src=\"https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/bruckner-9-768x768.jpg\" class=\"attachment-medium_large size-medium_large wp-image-3811\" alt=\"\" srcset=\"https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/bruckner-9-768x768.jpg 768w, https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/bruckner-9-300x300.jpg 300w, https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/bruckner-9-1024x1024.jpg 1024w, https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/bruckner-9-150x150.jpg 150w, https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/bruckner-9-12x12.jpg 12w, https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/bruckner-9.jpg 1425w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-1980ac4 e-con-full e-flex e-con e-child\" data-id=\"1980ac4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ccee84e elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"ccee84e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cd81750 elementor-widget elementor-widget-text-editor\" data-id=\"cd81750\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\"><strong>Anton Bruckner (1824\u20131896):<\/strong> Symphony No. 9 in D minor, WAB 109<br \/><strong>Orchestra:<\/strong> Bavarian Radio Symphony Orchestra<br \/><strong>Conductor:<\/strong> Herbert Blomstedt<br \/><strong>Recording:<\/strong> Live, 7\u20138 May 2009, Philharmonie im Gasteig, Munich<br \/><strong>Label:<\/strong> BR-Klassik \u2013 900235 (2 CDs, with extracts from the rehearsals)<\/p><p class=\"p1\">https:\/\/www.naxos.com\/CatalogueDetail\/?id=900235<\/p><p class=\"p1\"><br \/><strong>Release Date:<\/strong> 4 September 2026<br \/><strong>Symphony Duration:<\/strong> 56&rsquo;31&rsquo;\u2019<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-2796a68 e-flex e-con-boxed e-con e-parent\" data-id=\"2796a68\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2b7cc46 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"2b7cc46\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6ef96ac elementor-widget elementor-widget-heading\" data-id=\"6ef96ac\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">A Ninth Without Incense<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6003e3c elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"6003e3c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f3e976b elementor-widget elementor-widget-heading\" data-id=\"f3e976b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Recorded in Munich in 2009 and released only now, Herbert Blomstedt\u2019s Ninth with the Bavarian Radio Symphony Orchestra is distilled, airy and swift, but it leaves an impression of something unfinished.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-2cd6391 e-flex e-con-boxed e-con e-parent\" data-id=\"2cd6391\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-14d3a0f e-con-full e-flex e-con e-child\" data-id=\"14d3a0f\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2b3bc27 elementor-widget elementor-widget-image\" data-id=\"2b3bc27\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/bruckner-9-1024x1024.jpg\" class=\"attachment-large size-large wp-image-3811\" alt=\"\" srcset=\"https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/bruckner-9-1024x1024.jpg 1024w, https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/bruckner-9-300x300.jpg 300w, https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/bruckner-9-150x150.jpg 150w, https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/bruckner-9-768x768.jpg 768w, https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/bruckner-9-12x12.jpg 12w, https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/bruckner-9.jpg 1425w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-2cf79dd e-con-full e-flex e-con e-child\" data-id=\"2cf79dd\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c2af987 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"c2af987\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0f36b4d elementor-widget elementor-widget-text-editor\" data-id=\"0f36b4d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>What strikes one at once in Blomstedt&rsquo;s reading with the Bavarian Radio Symphony Orchestra is the color. It is darker, and the recording is perhaps more muffled, which is no doubt due to the venue, the Philharmonie im Gasteig, whose acoustics have long been criticized. What we hear is a rather monumental, rather impressive vision. There is even a sense of the epic, or at least a narrative coloring, and an admirable sense of legato. But around the eleventh minute a few heavy patches can be noted, and, surprisingly, what catches the ear is that everything is very well executed, the orchestra of course deserving every praise, yet without any real edge. There is drive, there is dynamism, but where is the vision? It is a cathedral, but a rather empty one, like the vast, bare churches painted by Saenredam that I remember from the Rijksmuseum in Amsterdam. It would of course be tempting to project the conductor&rsquo;s religious convictions onto a work in which Catholicism is everywhere present, and we shall not do so. But we are left somewhat frustrated, because this first movement does not take the time to breathe. There is something rather disembodied about it, mineral, somewhat granitic.<\/p><p>The second movement confirms this impression, an orchestra with a very beautiful sound but perhaps a little too well-behaved. If the first movement is granite, this one is obsidian, black, but with a distant blackness. And this is perhaps where the tempi should be compared. Blomstedt is certainly one of the fastest. His first movement takes 23:31 and his Scherzo 10:05, where Abbado in Lucerne takes 26:47 and 11:03.<\/p><p>The third movement is the most emblematic, perhaps the best placed to make clear what I mean. The refusal of pathos is very marked, and indeed this movement is the shortest of all, at 22:55. Between Jochum in Berlin at 27:40, the same Blomstedt in Leipzig at 24:20, Giulini in Vienna at 29:30, not to mention Celibidache in Munich at 30:37, Abbado in Lucerne at 25:16 and G\u00fcnter Wand at 25:12, here we never linger. That is interesting, because we never hear the gates of the beyond, nothing is dramatized, nothing is spiritualized, yet what we are given has drive, and in that sense it is a rather refreshing vision, one that may well sweep away the last whiff of incense still hanging around Bruckner, so as to bring out nothing but the structure. But was it necessary? There is a kind of mistrust here and, surprisingly, a kind of militancy in wanting to trim the fat off our Bruckner, an almost Boulezian mistrust in the refusal of sensibility, in the determination not to go beyond what the music says. Yet the movement is marked Adagio, <em>langsam, feierlich<\/em>, and one finds oneself wanting to hold the orchestra back, to ask it to slow down. Fortunately, around the fourth minute, the conductor lets himself go and ventures a lingering tinged with nostalgia rather than melancholy. Between 4:00 and 7:00 comes what is no doubt the most convincing moment, where the conductor draws up a kind of more contemplative reckoning. One is of course spellbound by the finesse of the strings, and it is not only a question of tempo. At 13:00, once again, one would like him to take his time. The orchestra is certainly never caught out. It is powerful, nuanced, dark in color, with the rather distinctive timbre of the Bavarian Radio. It does not linger at 14:55, where the ethereal theme was expected, and so the sublime is missed. This is a choice, the choice of a more telluric, even earthy Bruckner, almost youthful, sometimes light, which does away with all dramatization, with any spiritual option, even any intellectual option. It is the music, and nothing else. There is in fact something of Mozartean clarity in this approach. The heaviness of the opening and the clarity of the end may seem a contradiction, but it is simply what one hears. The last bars are too fast. Once again, perhaps we expect too much of a symphony that takes its time, but by pressing ever forward it leaves us frustrated, all the more so as the conductor recorded a remarkable cycle in Leipzig, and the Ninth may not be the work that suits him best. His Fourth in Leipzig deserved every praise, and not long ago, conducting the Orchestre de Paris in the Eighth, he also gave an anthology-worthy performance.<\/p><p>The interest of this release may lie rather in the second disc, devoted to the rehearsals, where one hears the conductor distilling his vision, and that vision precisely confirms what we hear. He is aware of everything, he knows the score. He calls the great dissonance of the Adagio \u00ab\u00a0wie ein Todesschrei,\u00a0\u00bb like a death cry, the summit of the whole symphony, and speaks of a farewell mood, Bruckner&rsquo;s own \u00ab\u00a0Abschied vom Leben.\u00a0\u00bb Yet in the same breath he asks the violins to \u00ab\u00a0nur andeuten, nicht zu viel,\u00a0\u00bb only suggest, not too much. That is his choice, a kind of restraint, of reserve, without pathos and without ego. But perhaps in this work, the composer&rsquo;s swan song, we expect commitment, and without going as far as pathos or ego, there is surely a balanced way of making Bruckner resonate, of letting us hear, as Bruckner himself said, what the score does not say. From that point of view, a conductor like Manfred Honeck may today be more convincing in this work.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-dd67acd elementor-widget elementor-widget-heading\" data-id=\"dd67acd\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">\n\n<h3>Our Verdict<\/h3>\n<p style=\"text-align:left\"><strong>Interpretation:<\/strong> \u2605\u2605\u2605\u00bd\u2606 \u2013 Monumental and superbly played, but always pressing forward, and the sublime is missed.<\/p>\n<p style=\"text-align:left\"><strong>Sound Quality:<\/strong> \u2605\u2605\u2605\u2606\u2606 \u2013 Too muffled. The acoustics of the Gasteig, which are not very good, have a lot to do with it.<\/p>\n<p style=\"text-align:left\"><strong>Booklet &amp; Edition:<\/strong> \u2605\u2605\u2605\u2605\u00bd \u2013 The release is worth it above all for the chance to catch the maestro at work, for those lucky enough to understand German. The booklet, on the other hand, is rather brief.<\/p>\n<p style=\"text-align:left\"><strong>Place in the Discography:<\/strong> \u2605\u2605\u2605\u2606\u2606 \u2013 An interesting option. But as far as I am concerned, I remain more reserved.<\/p>\n<p style=\"text-align:left\"><strong>Overall Rating:<\/strong> 3.5 \/ 5 \u2013 A distilled, airy and swift Ninth, which leaves, no pun intended, an impression of something \"unfinished\"!<\/p><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d67703a e-flex e-con-boxed e-con e-parent\" data-id=\"d67703a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-700c0eb title_position_default title_hover_border_default title-default img_hover_animation_default readmore-btn-default-style grid-hover-overlay-type-always grid-hover-overlay-height-default hover-overlay-height-default tpg-border-bottom-disable elementor-widget elementor-widget-tpg-grid-hover-layout\" data-id=\"700c0eb\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"tpg-grid-hover-layout.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\n        <div class=\"rt-container-fluid rt-tpg-container tpg-el-main-wrapper grid_hover-layout1-main \"\n             id=\"rt-tpg-container-4008383997\"\n             data-layout=\"grid_hover-layout1\"\n             data-sc-id=\"elementor\"\n             data-el-settings=''\n             data-el-query=''\n             data-el-path=''\n        >\n\t\t\t            <div class='tpg-header-wrapper '>\n\t\t\t\t            <\/div>\n\n            <div data-title=\"Loading ...\"\n                 class=\"rt-row rt-content-loader grid_hover-layout1 tpg-even grid-behaviour grid_hover_layout_wrapper\">\n\t\t\t\t\n<div class=\"rt-col-md-4 rt-col-sm-6 rt-col-xs-12 default rt-grid-hover-item rt-grid-item\" data-id=\"3809\">\n\t<div class=\"rt-holder tpg-post-holder \">\n\t\t<div class=\"rt-detail rt-el-content-wrapper\">\n\t\t\t\t\t\t\t<div class=\"rt-img-holder tpg-el-image-wrap has-thumbnail\">\n\t\t\t\t\t<a data-id=\"3809\" href=\"https:\/\/pulsations.art\/en\/blomstedt-bruckner-symphony-9-br-klassik-review\/\" class=\"tpg-post-link\" target=\"_self\">\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/bruckner-9-768x768.jpg\"\n\t\t\t\t\t\t\t class=\"rt-img-responsive\"\n\t\t\t\t\t\t\t width=\"768\"\n\t\t\t\t\t\t\t height=\"768\"\n\t\t\t\t\t\t\t alt=\"Herbert Blomstedt \/ Anton Bruckner \/ Symphony No. 9 \/ Bavarian Radio Symphony Orchestra\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t<\/a>\n\t\t\t\t<div class=\"overlay grid-hover-content\"><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n\t\t\t<div class=\"grid-hover-content\">\n\t\t\t\t<div class=\"entry-title-wrapper\"><h3 class=\"entry-title\"><a data-id=\"3809\" href=\"https:\/\/pulsations.art\/en\/blomstedt-bruckner-symphony-9-br-klassik-review\/\" class=\"tpg-post-link\" target=\"_self\">Herbert Blomstedt \/ Anton Bruckner \/ Symphony No. 9 \/ Bavarian Radio Symphony Orchestra<\/a><\/h3><\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"tpg-excerpt tpg-el-excerpt\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"tpg-excerpt-inner\">\n\t\t\t\t\t\t\t\tAnton Bruckner (1824\u20131896): Symphony No. 9 in D minor, WAB 109Orchestra: Bavarian Radio Symphony...\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t<div class=\"post-footer\">\n\t\t\t<div class=\"post-footer\">\n\t\t\t\t<div class=\"read-more\">\n\t\t\t\t\t<a data-id=\"3809\" href=\"https:\/\/pulsations.art\/en\/blomstedt-bruckner-symphony-9-br-klassik-review\/\" class=\"tpg-post-link\" target=\"_self\">Lire l&#039;article<\/a>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n<div class=\"rt-col-md-4 rt-col-sm-6 rt-col-xs-12 default rt-grid-hover-item rt-grid-item\" data-id=\"3804\">\n\t<div class=\"rt-holder tpg-post-holder \">\n\t\t<div class=\"rt-detail rt-el-content-wrapper\">\n\t\t\t\t\t\t\t<div class=\"rt-img-holder tpg-el-image-wrap has-thumbnail\">\n\t\t\t\t\t<a data-id=\"3804\" href=\"https:\/\/pulsations.art\/en\/manfred-honeck-anton-bruckner-symphony-no-9-pittsburgh-symphony-orchestra\/\" class=\"tpg-post-link\" target=\"_self\">\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/FR-733_COVER-768x768.jpg\"\n\t\t\t\t\t\t\t class=\"rt-img-responsive\"\n\t\t\t\t\t\t\t width=\"768\"\n\t\t\t\t\t\t\t height=\"768\"\n\t\t\t\t\t\t\t alt=\"Manfred Honeck \/ Anton Bruckner \/ Symphony No. 9 \/ Pittsburgh Symphony Orchestra\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t<\/a>\n\t\t\t\t<div class=\"overlay grid-hover-content\"><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n\t\t\t<div class=\"grid-hover-content\">\n\t\t\t\t<div class=\"entry-title-wrapper\"><h3 class=\"entry-title\"><a data-id=\"3804\" href=\"https:\/\/pulsations.art\/en\/manfred-honeck-anton-bruckner-symphony-no-9-pittsburgh-symphony-orchestra\/\" class=\"tpg-post-link\" target=\"_self\">Manfred Honeck \/ Anton Bruckner \/ Symphony No. 9 \/ Pittsburgh Symphony Orchestra<\/a><\/h3><\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"tpg-excerpt tpg-el-excerpt\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"tpg-excerpt-inner\">\n\t\t\t\t\t\t\t\tAnton Bruckner (1824\u20131896): Symphony No. 9 in D minor, WAB 109 (Nowak edition)Orchestra: Pittsburgh...\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t<div class=\"post-footer\">\n\t\t\t<div class=\"post-footer\">\n\t\t\t\t<div class=\"read-more\">\n\t\t\t\t\t<a data-id=\"3804\" href=\"https:\/\/pulsations.art\/en\/manfred-honeck-anton-bruckner-symphony-no-9-pittsburgh-symphony-orchestra\/\" class=\"tpg-post-link\" target=\"_self\">Lire l&#039;article<\/a>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n<div class=\"rt-col-md-4 rt-col-sm-6 rt-col-xs-12 default rt-grid-hover-item rt-grid-item\" data-id=\"3789\">\n\t<div class=\"rt-holder tpg-post-holder \">\n\t\t<div class=\"rt-detail rt-el-content-wrapper\">\n\t\t\t\t\t\t\t<div class=\"rt-img-holder tpg-el-image-wrap has-thumbnail\">\n\t\t\t\t\t<a data-id=\"3789\" href=\"https:\/\/pulsations.art\/en\/honeck-bruckner-symphony-7-pittsburgh-review\/\" class=\"tpg-post-link\" target=\"_self\">\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pulsations.art\/wp-content\/uploads\/2026\/10\/FR-757-Cover-768x768.jpg\"\n\t\t\t\t\t\t\t class=\"rt-img-responsive\"\n\t\t\t\t\t\t\t width=\"768\"\n\t\t\t\t\t\t\t height=\"768\"\n\t\t\t\t\t\t\t alt=\"Manfred Honeck \/ Anton Bruckner \/ Symphony No. 7 \/ Pittsburgh Symphony Orchestra\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t<\/a>\n\t\t\t\t<div class=\"overlay grid-hover-content\"><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n\t\t\t<div class=\"grid-hover-content\">\n\t\t\t\t<div class=\"entry-title-wrapper\"><h3 class=\"entry-title\"><a data-id=\"3789\" href=\"https:\/\/pulsations.art\/en\/honeck-bruckner-symphony-7-pittsburgh-review\/\" class=\"tpg-post-link\" target=\"_self\">Manfred Honeck \/ Anton Bruckner \/ Symphony No. 7 \/ Pittsburgh Symphony Orchestra<\/a><\/h3><\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"tpg-excerpt tpg-el-excerpt\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"tpg-excerpt-inner\">\n\t\t\t\t\t\t\t\tAnton Bruckner (1824\u20131896): Symphony No. 7 in E major, WAB 107 (1883 version, Nowak edition)Mason...\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t<div class=\"post-footer\">\n\t\t\t<div class=\"post-footer\">\n\t\t\t\t<div class=\"read-more\">\n\t\t\t\t\t<a data-id=\"3789\" href=\"https:\/\/pulsations.art\/en\/honeck-bruckner-symphony-7-pittsburgh-review\/\" class=\"tpg-post-link\" target=\"_self\">Lire l&#039;article<\/a>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n<div class=\"rt-col-md-4 rt-col-sm-6 rt-col-xs-12 default rt-grid-hover-item rt-grid-item\" data-id=\"3722\">\n\t<div class=\"rt-holder tpg-post-holder \">\n\t\t<div class=\"rt-detail rt-el-content-wrapper\">\n\t\t\t\t\t\t\t<div class=\"rt-img-holder tpg-el-image-wrap has-thumbnail\">\n\t\t\t\t\t<a data-id=\"3722\" href=\"https:\/\/pulsations.art\/en\/mahler_rco_chiefconducrors\/\" class=\"tpg-post-link\" target=\"_self\">\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pulsations.art\/wp-content\/uploads\/2025\/10\/cover-mahler-set-768x768.jpg\"\n\t\t\t\t\t\t\t class=\"rt-img-responsive\"\n\t\t\t\t\t\t\t width=\"768\"\n\t\t\t\t\t\t\t height=\"768\"\n\t\t\t\t\t\t\t alt=\"Mahler at the Concertgebouw: A Review of the RCO&rsquo;s Chief Conductors Edition\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t<\/a>\n\t\t\t\t<div class=\"overlay grid-hover-content\"><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n\t\t\t<div class=\"grid-hover-content\">\n\t\t\t\t<div class=\"entry-title-wrapper\"><h3 class=\"entry-title\"><a data-id=\"3722\" href=\"https:\/\/pulsations.art\/en\/mahler_rco_chiefconducrors\/\" class=\"tpg-post-link\" target=\"_self\">Mahler at the Concertgebouw: A Review of the RCO&rsquo;s Chief Conductors Edition<\/a><\/h3><\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"tpg-excerpt tpg-el-excerpt\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"tpg-excerpt-inner\">\n\t\t\t\t\t\t\t\tGustav Mahler &#8211; The Chief Conductors Edition Royal Concertgebouw Orchestra &#8211; RCO Live...\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t<div class=\"post-footer\">\n\t\t\t<div class=\"post-footer\">\n\t\t\t\t<div class=\"read-more\">\n\t\t\t\t\t<a data-id=\"3722\" href=\"https:\/\/pulsations.art\/en\/mahler_rco_chiefconducrors\/\" class=\"tpg-post-link\" target=\"_self\">Lire l&#039;article<\/a>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n<div class=\"rt-col-md-4 rt-col-sm-6 rt-col-xs-12 default rt-grid-hover-item rt-grid-item\" data-id=\"3360\">\n\t<div class=\"rt-holder tpg-post-holder \">\n\t\t<div class=\"rt-detail rt-el-content-wrapper\">\n\t\t\t\t\t\t\t<div class=\"rt-img-holder tpg-el-image-wrap has-thumbnail\">\n\t\t\t\t\t<a data-id=\"3360\" href=\"https:\/\/pulsations.art\/en\/mravinsky-shostakovitch-tchaikovsky-grieg-lyadov-leningrad-philharmonic-orchestra\/\" class=\"tpg-post-link\" target=\"_self\">\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pulsations.art\/wp-content\/uploads\/2025\/08\/Mravinsky_Helsinki_Cover_Optimized-768x761.png\"\n\t\t\t\t\t\t\t class=\"rt-img-responsive\"\n\t\t\t\t\t\t\t width=\"768\"\n\t\t\t\t\t\t\t height=\"761\"\n\t\t\t\t\t\t\t alt=\"Mravinsky \/ Shostakovitch-Tchaikovsky-grieg-lyadov \/  Leningrad Philharmonic Orchestra\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t<\/a>\n\t\t\t\t<div class=\"overlay grid-hover-content\"><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n\t\t\t<div class=\"grid-hover-content\">\n\t\t\t\t<div class=\"entry-title-wrapper\"><h3 class=\"entry-title\"><a data-id=\"3360\" href=\"https:\/\/pulsations.art\/en\/mravinsky-shostakovitch-tchaikovsky-grieg-lyadov-leningrad-philharmonic-orchestra\/\" class=\"tpg-post-link\" target=\"_self\">Mravinsky \/ Shostakovitch-Tchaikovsky-grieg-lyadov \/  Leningrad Philharmonic Orchestra<\/a><\/h3><\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"tpg-excerpt tpg-el-excerpt\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"tpg-excerpt-inner\">\n\t\t\t\t\t\t\t\tMravinsky 1961 \u2013 Live at the Sibelius Festival, Helsinki Label: Janus Classics | JACL-7 Format: 2...\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t<div class=\"post-footer\">\n\t\t\t<div class=\"post-footer\">\n\t\t\t\t<div class=\"read-more\">\n\t\t\t\t\t<a data-id=\"3360\" href=\"https:\/\/pulsations.art\/en\/mravinsky-shostakovitch-tchaikovsky-grieg-lyadov-leningrad-philharmonic-orchestra\/\" class=\"tpg-post-link\" target=\"_self\">Lire l&#039;article<\/a>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n<div class=\"rt-col-md-4 rt-col-sm-6 rt-col-xs-12 default rt-grid-hover-item rt-grid-item\" data-id=\"3260\">\n\t<div class=\"rt-holder tpg-post-holder \">\n\t\t<div class=\"rt-detail rt-el-content-wrapper\">\n\t\t\t\t\t\t\t<div class=\"rt-img-holder tpg-el-image-wrap has-thumbnail\">\n\t\t\t\t\t<a data-id=\"3260\" href=\"https:\/\/pulsations.art\/en\/paul-kletzki-anton-bruckner-symphony-no-7-brso\/\" class=\"tpg-post-link\" target=\"_self\">\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pulsations.art\/wp-content\/uploads\/2025\/03\/BRUCKNER7-768x762.png\"\n\t\t\t\t\t\t\t class=\"rt-img-responsive\"\n\t\t\t\t\t\t\t width=\"768\"\n\t\t\t\t\t\t\t height=\"762\"\n\t\t\t\t\t\t\t alt=\"Paul Kletzki \/ Anton Bruckner \/ Symphony no. 7 \/ BRSO\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t<\/a>\n\t\t\t\t<div class=\"overlay grid-hover-content\"><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n\t\t\t<div class=\"grid-hover-content\">\n\t\t\t\t<div class=\"entry-title-wrapper\"><h3 class=\"entry-title\"><a data-id=\"3260\" href=\"https:\/\/pulsations.art\/en\/paul-kletzki-anton-bruckner-symphony-no-7-brso\/\" class=\"tpg-post-link\" target=\"_self\">Paul Kletzki \/ Anton Bruckner \/ Symphony no. 7 \/ BRSO<\/a><\/h3><\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"tpg-excerpt tpg-el-excerpt\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"tpg-excerpt-inner\">\n\t\t\t\t\t\t\t\tAnton Bruckner (1824\u20131896): Symphony No. 7 in E Major, WAB 107 (1885 revision, Leopold Nowak...\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t<div class=\"post-footer\">\n\t\t\t<div class=\"post-footer\">\n\t\t\t\t<div class=\"read-more\">\n\t\t\t\t\t<a data-id=\"3260\" href=\"https:\/\/pulsations.art\/en\/paul-kletzki-anton-bruckner-symphony-no-7-brso\/\" class=\"tpg-post-link\" target=\"_self\">Lire 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OrchestraConductor: Herbert BlomstedtRecording: Live, 7\u20138 May 2009, Philharmonie im Gasteig, MunichLabel: BR-Klassik \u2013 900235 (2 CDs, with extracts from the rehearsals) https:\/\/www.naxos.com\/CatalogueDetail\/?id=900235 Release Date: 4 September 2026Symphony Duration: 56&rsquo;31&rsquo;\u2019 A Ninth Without Incense Recorded in Munich in 2009 and released only [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":3811,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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